15,782 Royalty-Free Audio Tracks for "Music Theory"

Wohlbekannte Melodie mit Oktavsprüngen

Rauhigkeit 1 Apser = Sinus 1000 Hz und Sinus 1070 Hz gleichzeitig.The sound of a harshness of 1 asper = a sine wave tone of 1000 Hz 100 % modulated with a sine wave tone of 70 Hz at 60 dB sound pressure.

Debussy, from 'General Lavine - eccentric'

Claude LeJeune, Revoici venir du printemps

Holberg Suite prelude bars 1-2 string version

Holberg Suite, prelude, bars 1-2, piano version

Holberg Suite, Prelude bars 31-4 piano version

Franck Violin Sonata first movement, bars 1-8

Debussy, the Snow is Dancing, Bars 34-38

Holberg Suite, prelude bars 31-4 string version

Deutsch's scale illusion. Two complex melodies are played, first separately from separate channels, then simultaneously.

The musical rhythm known as son clave. My own work, on 2006-01-08, and public domain.

A sample of clean versus buzz sound (E) on electric guitar. Un exemple de corde qui frise (mi) sur une guitare électrique.

An ascending fifths sequence in C major. Notice the "circle of fifths" pattern in the lower staff similar to the descending fifths sequence, except going in the opposite direction.

The standard way of filling in this descending thirds pattern is to interpolate a first inversion chord in between each of these descents by thirds. The result is a bass line that moves down continuously stepwise, resulting in a figured bass of '5-6', and therefore, the standard descending 5-6 sequence.

Theme by Anton Diabelli

Rebel, les Elemens, opening

An important subtype of the descending 5-6 sequence is the root position variant, also known as the Pachelbel sequence, due to the use of this sequence in Pachelbel's Canon. The Pachelbel sequence changes the first inversion chords in the descending 5-6 sequence to root position chords, resulting in a bass pattern that moves down a fourth, and then up stepwise.

Beethoven, Diabelli Variation No. 13

Battements et son résultant (deux embouchures de flûtes à bec)

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Hendrix chord.

Wagner, Rheingold, Scene 4

Chopin Fantaisie in F minor

Wagner, Parsifal prelude closing bars

Wagner, Tristan, Liebestod closing bars

Wagner Sleep music from Act 3 of Die Walkure

Chopin Prelude No. 15, bars 28-29

Chopin Fantaisie in F minor, Op.49

Mahler Symphony No. 10 Adagio bars 201-213

Handel, Messiah, Hallelujah Chorus closing bars

Shave and a Haircut in G. Triplet swing.

Symphony No. 5, first movement, bars 195-227

Debussy la Fille aux cheveux de lin, opening bars

Debussy, La Fille aux cheveux de lin, bars 26-29

Shave and a Haircut in G with chords. Triplet swing.

Beispiel einer Shepard-Tonfolge; Scheinbar unendlich tiefer werdender Ton Example for a Shepard tone

The closing bars of String Quartet in E flat, Op. 33 by Haydn

Elektra chord implies an E Major and C# Major chord together (C# E# G# = Db F Ab)

Power chord on E. Created by Hyacinth (talk) 14:21, 27 July 2008 using Sibelius 5.

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Tonfolge von "Shave and a Haircut" in C-dur als Audio-Datei (ogg-Format)

Wagner, Gotterdamerung, transition between the end of the Prologue and Act 1 scene 1

Triadic planing from Le Tombeau de Couperin by Maurice Ravel.

Mozart Minuet from Trio K498, bars 76-86

The secondary dominant chords of the key of C major, each given before the chord of which it is the dominant. Digital recording, made with an acoustic piano and Wavesurfer software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:

Mozart Minuet in F K5

Mozart piano sonata K332 excerpt

Presto from Quartet Op. 130

From Bach chorale, Wachet auf